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Feb 03 2013

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Disney Deception: Even a Small Dose of “Fairy Dust” May be Lethal to Your Eternal Spotless Soul

PUBLIC VIGIL – A little “angel” spoke to me. You may know her from her comments and also the NASA article – Orion’s Belt Tied Around Freemason Astronauts. Her name is “Lenci” which is short for Valencia.

 

Disney’s Magic Kingdom

Here is Lenci’s comment which inspired me to write this article.

I was just sitting here contemplating this “weapon of mass destruction”, that being the music industry. As I watched Rihanna’s performance video on the Nickelodeon Awards, it occurred to me that the devil’s agenda is so evident yet our children have no idea (and that’s partly due to parents ignorance) of his plan to kill them! I know that sounded harsh, but it’s a reality. Seeing that satan was the minister of music in Heaven, it’s only fitting that his biggest weapon be music. It harmonizes perfectly (literally) with captivating the soul to its’ attractiveness. For me, music takes me to another dimension within my subconscious which is why it’s utterly important that I listen to positive, uplifting and God-praising music. At one time, I was heavily addicted to rock music and could never understand why I felt so drained every time I stopped listening to it. Now, I know it was the power of persuasion it had on me. I’d bob my head back and forth so hard I’d feel a second shy of having a seizure.

My heart cries out for Miley as she didn’t ask to be a product of MK. If the DNA factor is the culprit, well that would mean her deception was already predestined before she was even conceived. Which leads me to ask: “Does satan have the power to foresee his plan for someone who hasn’t even been born yet”? Sometimes I think, I think too hard……..

When she talked about Miley and that she might have been “predestined” to play this role, my first reaction was to immediately dismiss this possibility. But her comment merged in my mind with other comments I had read on other sites about the pattern of the careers of Disney child stars once they leave the “Magic Kingdom”.

And I was also thinking about my last article on Cognitive Dissonance with regards to Miley’s “Can’t be tamed” video. And it occurred to me that a key element in this cog-diss was the previous Christian image that had been created around Miley’s persona…

… Could it be that this was all an intentional setup? A cynical con game? First lure in the suckers with a few rounds where their Christian God is the winner, and then when the stakes get high and all the souls of young teenage girls are on the table, the skilled master of slight-of-hand pulls out an unseen Ace from up his sleeve and cleans up.

Is that what this game is all about? First the “good” salesman, Disney, woos the parents of young girls until he gains their confidence and they offer their young offspring up to follow this seemingly harmless pied piper as he leads them dancing and singing through the Magic Kingdom.

The old evil Mickey vs. the new good Mickey

Mickey Mouse will get his debut feature game on the Wii with the newly announced Disney Epic Mickey… Looking at the screenshots and artwork it looks like Warren has taken Mickey back to its original roots with a more evil and mischievous look.

In the game’s fiction, a sorcerer named Yen Sid creates a beautiful, whimsically-twisted world where Disney’s forgotten and retired creations thrive. Originally, the powerful sorcerer from “The Sorcerer’s Apprentice” in Walt Disney’s 1940 film “Fantasia” was nicknamed “Yen Sid” [Disney spelled backwards] by Disney animators, although never named as such on screen. In Spector’s game, Oswald the Lucky Rabbit – Walt Disney’s first cartoon star created in 1927 – becomes the earliest inhabitant of Yen Sid’s Cartoon Wasteland after Mickey Mouse is created. Oswald makes the Cartoon Wasteland comfortable for other retired characters as they join him in this magical land. Years pass, and as Oswald dwells in the Cartoon Wasteland, he becomes resentful watching Mickey’s popularity swell. When Mickey curiously stumbles upon Yen Sid’s map, he makes an innocent yet terrible mistake and inadvertently devastates Oswald’s comfortable world. Eventually, Mickey’s mistake pulls him deep into the mysterious Cartoon Wasteland to face the destruction he unknowingly created.

And then once the young girls and their parents have dropped all their defenses and have entrusted all their hopes and dreams with him, this “good” salesman hands the “customer” off to his evil manager to finish the deal. By now the trusting parents and their naive young children are willing to sign any papers that are placed before them without even bothering to read them, because they have grown to trust this “company” through their long and personal relationship.

Having obtained the signatures from the parents granting him guardianship over the souls of their offspring the evil manager then sells the contract to his partners in this infernal business – the record companies, MTV, etc.

It sounds like the plot of a Disney cartoon – perhaps “101 Dalmatians” or “Snow White” – with an “evil witch” stand-in character and everything. Could this “fantasy” actually be a hidden warning about the reality of Disney’s machinations?

Remember Pinocchio? I suggest reading Vigilant Citizen’s article, “The Esoteric Interpretation of Pinocchio“, which analyzes this Freemason inspired story to learn how this seemingly innocent tale is fraught with anti-Christian messages.

Remember the “Blue Fairy” in Pinocchio? (My notes appear in square brackets – “[]”.)

The “Blue Fairy”, the representative of the Great God, then descends to earth to give Pinocchio a spark of the Universal Mind, the “Nous” of the Gnostics.

“It was affirmed by the Gnostic Christians that the redemption of humanity was assured through the descent of Nous (Universal Mind), who was a great spiritual being superior to the Demiurgus [creator god] and who, entering into the constitution of man, conferred conscious immortality upon the Demiurgic fabrications [mankind?].”
– Manly P. Hall, Secret Teachings of All Ages.

Who are the Gnostics?

The Gnostics, it is true, borrowed their terminology almost entirely from existing religions, but they only used it to illustrate their great idea of the essential evil of this present existence and the duty to escape it by the help of magic spells and a superhuman Saviour.

This utter pessimism, bemoaning the existence of the whole universe as a corruption and a calamity, with a feverish craving to be freed from the body of this death and a mad hope that, if we only knew, we could by some mystic words undo the cursed spell of this existence — this is the foundation of all Gnostic thought.

The second great component of Gnostic thought is magic, properly so called, i.e. the power ex opere operato of weird names, sounds, gestures, and actions, as also the mixture of elements to produce effects totally disproportionate to the cause. These magic formulae, which caused laughter and disgust to outsiders, are not a later and accidental corruption, but an essential part of Gnosticism, for they are found in all forms of Christian Gnosticism and likewise in Mandaeism. No Gnosis was essentially complete without the knowledge of the formulae, which, once pronounced, were the undoing of the higher hostile powers. Magic is the original sin of Gnosticism, nor is it difficult to guess whence it is inherited. To a certain extent it formed part of every pagan religion, especially the ancient mysteries, yet the thousands of magic tablets unearthed is Assyria and Babylonia show us where the rankest growth of magic was to be found.

This gives a whole new meaning to Disney’s “Magic Kingdom”, doesn’t it? Consider this. When is the last time you heard Christ mentioned on the Disney Channel?

Another connection to Miley Cyrus and the Great Whore of Babylon

Coincidentally, Gnosticism seems to have its origins in Babylon. This struck me when I read it because in my first article on Miley’s “Can’t be tamed” video I drew parallels between the manner in which Miley was depicted and the Babylonian goddess Ishtar. And I mentioned specifically the conquest of Babylon by the Persian (Iranian) king Cyrus the Great.

Cyrus the Great – King of Persia and conquerer of Babylon

And again going back to Lenci’s comment, Miley’s last name, Cyrus, coincides with the name of this great conqueror who is mentioned numerous times in the Bible. So is it possible as Lenci suggests that Miley was pre-destined to play the role of Ishtar? I have no comment, but it is a disturbing thought nonetheless.

When Cyrus [the Great of Persia] entered Babylon in 539 B.C., two great worlds of thought met, and syncretism in religion, as far as we know it, began. Iranian thought began to mix with the ancient civilization of Babylon. The idea of the great struggle between evil and good, ever continuing in this universe, is the parent idea of Mazdeism, or Iranian dualism. This, and the imagined existence of numberless intermediate spirits, angels and devas, are the conviction which overcame the contentedness of Semitism.

On the other hand, the unshakable trust in astrology, the persuasion that the planetary system had a fatalistic influence on this world’s affairs, stood its ground on the soil of Chaldea. The greatness of the Seven — the Moon, Mercury, Venus, Mars, the Sun, Jupiter, and Saturn — the sacred Hebdomad, symbolized for millenniums by the staged towers of Babylonia, remained undiminished. They ceased, indeed, to be worshipped as deities, but they remained archontes and dynameis, rules and powers whose almost irresistible force was dreaded by man. Practically, they were changed from gods to devas, or evil spirits. The religions of the invaders and of the invaded effected a compromise: the astral faith of Babylon was true, but beyond the Hebodomad [the seven divinities as represented by celestial bodies] was the infinite light in the Ogdoad [Supreme being – Lucifer?], and every human soul had to pass the adverse influence of the god or gods of the Hebdomad [the seven divinities] before it could ascend to the only good God beyond. This ascent of the soul through the planetary spheres to the heaven beyond (an idea not unknown even to ancient Babylonian speculations) began to be conceived as a struggle with adverse powers, and became the first and predominant idea in Gnosticism.

Let me attempt to summarize this passage, and explain its significance. Gnosticism first appeared when the Persians – today’s Iran – conquered the Babylonians. As I mentioned in my previous article – Miley Cyrus – the Great Whore of Babylon – the rulers of Babylon at the time of the conquest were the Chaldeans. And the Chaldean’s worshiped the female goddess Ishtar, who we know from the Bible as the Great Whore of Babylon. And as I also mentioned, Miley’s public persona seems to be fashioned after Ishtar.

Gnosticism then emerges out of the syncretism of Persian and Chaldean (Babylonian) religious beliefs. Syncretism simply means the combining of two religions into one. In this new religion a supreme god emerges. It’s not clear whether that supreme god is in some way related to Ishtar, but I have my suspicions that it is.

Ishtar is also Venus (the love-sex goddess), the morning star. And Lucifer also refers to the morning star. Prometheus as we have seen is closely related to Lucifer since they are both bringers of light/fire to the mortals on Earth. This brings me to the conclusion that Ishtar is a female manifestation of Lucifer-Prometheus. And that Ishtar-Lucifer-Prometheus is the supreme god of the Gnostics. But I want to emphasize that the origins lie with the Chaldean (Babylonian) goddess of Ishtar which was then adopted by the conquering Persians and transformed to fit into their system of beliefs.

Since the Persians at that time controlled the greatest empire in the western world, these beliefs would have been able to spread widely throughout the Persian Empire. Then when the Persians were conquered by Alexander the Great of Greece (actually Macedonia), they could have spread even farther while going through another syncretic transformation. And when finally the Romans conquered the Greeks, there would have been yet another transformation and further dissemination of the Gnostic beliefs and the accompanying cult of Ishtar.

This would have come to an abrupt halt with the adoption of Christianity by the Roman Emperor Constantine in 312 A.D. It can be assumed that the Christians would not have tolerated the lack of morality and the use of sex in religious ceremonies that traces it roots back to the cult of Ishtar. From thereon the Gnostic church would have been forced to go underground and its followers would have had to disguise their beliefs and system of worship by pretending to be worshipers of Christ.

This is similar to the actions of the Freemasons, who do not worship the God of the Christian faith, but some other supreme being whom many have concluded to be Lucifer. And if my suspicions are correct than Lucifer himself is a disguise for Ishtar. While Lucifer is publicly promoted through the myth of  Prometheus as publicly displayed in Rockefeller Center and as symbolically depicted in the current Iron Man 2 movie.

Since Ishtar is connected to Lucifer through the origins of the Gnostic beliefs in Babylon, any association of Miley Cyrus with Ishtar actually takes on a much greater significance.

It is important to understand how the Gnostics view the God of the Bible. The Christian God is viewed as a “false god” which is inferior and subordinate to the supreme being of the Gnostics. He is also associated with Zeus, the king of the Greek gods, which again makes the connection with Greek myth of Prometheus.

The introduction of a distinct creator God or demiurge. Which is an illusion and as a later emanation from the single monad or source, this second God is a lesser and inferior or false God. [or “God of the masses”]

The demiurge as a tyrannical God having caused the imperfect material world and all of its suffering, is as the creator God of the pagan philosophers (Zeus) and the Judaeo-Christian-Islamic creator God (Yahweh or Adonai) not real but a construct or illusion of the human mind (as nous).

Given all this, we can see the connection between Gnosticism, Freemasons and the occult. And we can see how Disney through its promotion of “magic” assists this coalition in achieving their goals. It should not, then, come as a complete surprise that Disney would be used to cultivate young female talents which can be ritualistically transformed into new age priestesses of the cult of Ishtar – the Great Whore of Babylon.

Was Walt Disney a Freemason?

Yes and no. Like ex-President Bill Clinton, Walt Disney belonged to a Freemason youth group called the “Order of DeMolay”.

Walt Disney’s evil alter ego – “Yen Sid”

It appears to me from the information below that Walt Disney inserted himself into the well-known Disney classic “The Sorcerer’s Apprentice”, from the 1940 film Fantasia. His alter ego is a powerful magician.

Sid is also the name of the “disturbed, hyperactive, sadistic 10-year-old boy and the main antagonist” of the original Toy Story computer animated film. Sid is short for “Sidney”, which is of course an anagram for Disney. Toy Story was significant because “it was the first feature film released to use only computer-generated imagery.”

From Wikipedia’s entry on “Yen Sid”.

Yen Sid [“Disney” spelled backwards] is the powerful sorcerer in the segment The Sorcerer’s Apprentice, from Disney’s 1940 film Fantasia. He appears as an old man with a long beard and robes that extended to the floor….Film historians believed Fred Moore [see below] added the same sized nose as Walt Disney’s nose, and even added the same eyebrow length as Walt Disney’s eyebrows.

Yen Sid serves as the sorcerer under whom Mickey Mouse is an apprentice. After executing a series of spells of summoning light out of a skull, changing its appearance as Mickey witnessed it while in the middle of his chores, Yen Sid decides to take a rest as he leaves his hat behind. From there, Mickey takes the hat and uses its magic to bring a broom to life…

 

Walt Disney wearing a not-so-magic hat

 

Yen Sid giving Mickey the Evil Eye for stealing his Wizard’s Hat

From Wikipedia’s Fantasia article.

After nearly drowning in a giant whirlpool, Mickey is rescued by the wizard [Yen Sid], who returns and magically halts the flood and causes all the brooms to vanish. Angrily, he surveys the damage wrought by his apprentice (giving what Disney animators termed “The Dirty Disney Look”; the one raised eyebrow was an oft-repeated stare of disapproval from their boss). The embarrassed apprentice sheepishly defers to his master and returns to his work. The wizard displays a hint of a smile, secretly enjoying the humor of the situation, and hits him on the behind with the now inanimate broom, sending him scurrying from the room.

Who is Fred Moore?

He was a natural artist who became the Mickey “expert” at Disney studios. It appears that Fred Moore’s alter ego in Disney cartoons may have been Lampwick from the 1940 film Pinocchio –  “a naughty boy Pinocchio meets and befriends on his way to Pleasure Island. He turns into a donkey while the boys are shooting pool.” (Notice that Fantasia was also released in 1940,)

Fred Moore

 

Lampwick from Pinnochio

From Wikipedia article on Fred Moore.

Moore is best known for being the resident specialist in the animation of Mickey Mouse. He is most notable for re-designing the character in 1938 for his landmark role as The Sorcerer’s Apprentice in Fantasia, a look which remains Mickey’s official look to this day.

Moore was well-known around the studio for his drawings of innocently sexy, often nude, women, referred to as “Freddie Moore Girls.” Some of his girl designs found their way into Disney films: for example, the centaurettes in Fantasia and the teenage girls in the “All the Cats Join In” segment of Make Mine Music.

You can see the complete “Pastoral Symphony from Fantasia” which features Moore’s “sexy” (or sexist) centaurettes here. Notice also the racist depiction of a smaller darker centaurette with obvious African-American facial features.

Permanent link to this article: http://americansatanism.com/archives/520

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